Waiting for Godotsamuel beckett, 1952
original title: En attendant Godot
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click here synopsis:
THE plot of 'Waiting for Godot' is simple to relate. Two tramps (vladimir and estragon) are waiting by a sickly looking tree for the arrival of M. Godot. They quarrel, make up, contemplate suicide, try to sleep, eat a carrot and gnaw on some chicken bones. Two other characters appear, a master and a slave, who perform a grotesque scene in the middle of the play. A young boy arrives to say that M. Godot will not come today, but that he will come tomorrow.
The play is a development of the title, Waiting for Godot. He does not come and the two tramps resume their vigil by the tree, which between the first and second day has sprouted a few leaves, the only symbol of a possible order in a thoroughly alienated world.
on this book:
'Waiting for Godot' qualifies as one of Samuel Beckett's most famous works. Originally written in French in 1948, Beckett personally translated the play into English. The world premiere was held on January 5, 1953, in the Left Bank Theater of Babylon in Paris. The play's reputation spread slowly through word of mouth and it soon became quite famous. Other productions around the world rapidly followed. The play initially failed in the United States, likely as a result of being misbilled as "the laugh of four continents." A subsequent production in New York City was more carefully advertised and garnered some success.'Waiting for Godot' incorporates many of the themes and ideas that Beckett had previously discussed in his other writings. The use of the play format allowed Beckett to dramatize his ideas more forcefully then before, and is one of the reasons that the play is so intense. Beckett often focused on the idea of "the suffering of being." Most of the play deals with the fact that Estragon and Vladimir are waiting for something to alleviate their boredom. Godot can be understood as one of the the many things in life that people wait for. The act of waiting is never over, and yet it mysteriously starts up again each day. The action, in the same way, describes a circle. Each day is the return to the beginning. Nothing is completed because nothing can be completed. The despair in the play, which is never defined as such but which pervades all the lack of action and gives the play its metaphysical color, is the fact that the two tramps cannot not wait for Godot, and the corollary fact that he cannot come.
The play has often been viewed as fundamentally existentialist in its take on life. The fact that none of the characters retain a clear mental history means that they are constantly struggling to prove their existence.'Waiting for Godot' is part of the Theater of the Absurd. This implies that it is meant to be irrational. Absurd theater does away with the concepts of drama, chronological plot, logical language, themes, and recognizable settings. There is also a split between the intellect and the body within the work. Thus Vladimir represents the intellect and Estragon the body, both of whom cannot exist without the other.